Measuring our distance to Dada
Our starting point is twofold:
1) the work of Raymond Roussel, considered as a precursor
of Dada
2) the recent transmutation of language into a global market
ruled by Google et al.
Raymond Roussel - In 1912, Marcel Duchamp
and Francis Picabia attend Roussel's theater play Impressions
d'Afrique whose scandal anticipates the future Dada performances.
Roussel becomes «an absolute master» for Duchamp
and will influence Dada, Surrealism, OuLiPo or Nouveau Roman.
Homophony - In his posthumous text, How
I Wrote Certain of My Books, Roussel describes his method: «I chose two similar words. For example billard and pillard (plunderer). Then I added to it words
similar but taken in two different directions, and I obtained
two almost identical sentences thus. The two sentences found,
it was a question of writing a tale which can start with the
first and finish by the second.».
For example, «Les lettres du blanc sur les bandes
du vieux billard» (The white letters
on the cushions of the old billiard table) must somehow reach «Les lettres du blanc sur les bandes du
vieux pillard» (Letters
by a white man about the hordes of the old plunderer).
Dadamètre - Although it is pre-dadaïst,
this method described by Roussel, playing with homophony and
equivocation, will be considered here as representative of
Dada in the field of language, by virtue of its capacity to
free the Imaginary dimension. It shows a mechanisation of
literary production, echoing the painting machine in Impressions d'Afrique. Nowadays,
as our most intimate behaviours (language, work, desire, ideology...)
are accounted for within stock market indexes of a globalized
finance, we make one step further towards the decay of
the aura and look for new global indexes, but in the
fields of art and language. The Dadameter is the first of
this new indexes ; it aims at measuring the density of Dadaïsm
(or Roussellism) in language. The more homophony between words
that are semantically closely related, the higher will be
this density.
From Dada to Google - By downloading massive
amount of textual information from Google and analyzing it
using recent breakthroughs in the field of graph theory, we
try to have a glimpse at this large scale structure of language.
The main features are the Dadamap
and the semantic graph: R.R.Engine. If you want
to know more about how all this was built, you should go to
the Methodology section. You
will also find a lot of documentation here
This study has become possible because of the recent transmutation
of language into a global market ruled by Web 2.0. A taylorisation
of speech that brings one step further the attempt of
mechanisation of language initiated by Roussel. However, whereas
his work triggered a liberation in the artistic field, the
present commodification of speech participates in a post-control
device within a post-spectacular economy driven by Google
& al. You may learn more about this present-day context
by looking at the Google
Adwords Happening on semantic capitalism, or
reading about taylorisation
of speech.
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